December 25, 2008
December 21, 2008
December 14, 2008
December 6, 2008
CHAPTER XI : SLOW FOOD
Slow Food is a non-profit, eco-gastronomic member-supported organization that was founded in 1989 to counteract fast food and fast life, the disappearance of local food traditions and people’s dwindling interest in the food they eat, where it comes from, how it tastes and how our food choices affect the rest of the world.
Today, it has over 85,000 members in 132 countries.
Find out more at http://www.slowfood.com
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December 1, 2008
CHAPTER X : ON A CLEAR DAY
Translation from Polish to English : Jan Krasnowolski.
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November 20, 2008
CHAPTER IX : ONE TWO
ⓒJustyna Mielnikiewicz
While writing in Tbilisi, Georgia for several months, I filmed the kittens every day for two months wondering how that story would evolve. There were several large demonstrations against the government. I filmed some of them too and saw and felt the despair. Tens months later Russia invaded Georgia.
Paul, who is in the film, has a blog that you may want to check out The Tbilissi Blues
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November 18, 2008
CHAPTER IX : SAILOR AND THE DANCING GIRL
About the film: (Rybak i Tantsovshitsa) de Valerï Solomin2005, Russie
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November 15, 2008
November 9, 2008
CHAPTER VII : TELEVISION
This scene was shot at the restaurant La Contéa, in Neive, a little town in the province of Cuneo in italy, around the table are Luciano Rigolini (comissionning editor for the french german channel Arte), Claire Simon (a director who has a film opening in France this week: les bureaux de Dieux), film critic Scott Foundas and Kim and Orin Domenico
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October 30, 2008
CHAPTER VI : DEMOCRACY
More information on the hip hop from Mar Del Plata here
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October 26, 2008
October 19, 2008
CHAPTER IV : 777
It seems like Wall Street is more important than Main Street.
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CHAPTER IV : CUBAN CIGARS
For anyone who may not know, it is illegal to sell or buy Cuban cigars in the United States, but store shelves are filled with Chinese goods and both countries are communist regimes.
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CHAPTER IV : 911
A conversation is a perfect film subject.
Around the table : Claire Simon (French director), Scott Foundas (critic) Luciano Rigolini (Artist and TV producer), Kim and Orin Domenico.
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October 12, 2008
CHAPTER III: SUNNY DAY FOR A RIOT (part 2)
Watch carefully and spot the fascists.
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CHAPTER III : UTICA
The “Utica” camerawar.tv chapter and Utica sum up the current world situation.
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CHAPTER III : ELECTION
The lack of honesty in the American mainstream media is breath taking.
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October 5, 2008
CHAPTER II : PRESIDENT BUSH
I live in Google fiction. We live in Google fiction. The facts behind the economy are Google fiction.
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CHAPTER II : NO SOUL
No Soul is an example of a scene that would be much shorter in a traditional film.
Imagine how different the effect would be if this scene was filmed by a surveillance camera.
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CHAPTER II : SUNNY DAY FOR A RIOT
The Swastika is a horrifically powerful symbol and seems out of place in the USA.
It’s dangerous because the “powers” that have ruined this country scoff at it but are the ones who should be wearing them.
Andres Duque from Barcelona send us our first video comment take a look...
Another reaction from Jean Froment, France
"met this men by chance at Iqaluit in Nunavut. he came in front on my camera, ask us if it was rolling and yell his message to the camera, here it is:"
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September 28, 2008
CHAPTER I : HOLY YEAR 2000
Holy Year 2000 was filmed in Zakopane, Poland.
I woke up, 1999 was behind me, I had a terrible hangover after a night of vodka, in fact I was drunk but the world was still there! The Y2K computer bug that was supposed to ruin the world never came to life. I went back to sleep for a few more hours.
Thank you : Woytek from the Cockney Boot Factory
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CHAPTER I : SNOW
Snow, made in Canada, directed by Hakan Sahin, won the prize for best film in the Alba film festival. I liked it a lot. An example of regional cinema about a subject close to the filmmaker’s heart. Is it best to write these chapter blogs, like captions for photograph?
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September 26, 2008
CHAPTER I : WHY
Why was filmed during the Alba film festival. Kim and Orin Domenico were part of a press conference. Even though I make documentaries sometimes I set up situations to see what will happen - documentary constructions deconstruct truth and lies.
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CHAPTER I : 504
Would it make a difference if people knew why the Federal government is giving away taxpayer’s money to Wall Street? I went to Wall Street to see if I can film what was in fact invisible, the truth.
Sound Recording : Bette Wanderman.
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September 25, 2008
WHAT IS CAMERAWAR
we (should) own our image(s)
The 21st century started with a sigh of relief when a predicted computer glitch that had threatened to wreak havoc around the world failed to materialize. The media trumpeted Francis Fukuyama’s thesis that history was at an end and we were about to enter into a steady safe environment that would leave the conflicts of the previous century behind. History however, was not about to be put to sleep so easily. The events of 9/11 and its aftermath have brought the past roaring back with a vengeance.
The vastly complex issues we now face are “out of proportion” to what can be addressed in a single, traditional movie. Reality itself has to be re-arranged to make sense of our world. Theatrical distribution of such an undertaking would be impossible and the television networks are bought and paid for by the very corporations that are complicit in the crisis – thus, CAMERAWAR.TV.
New "film chapters" are posted on this site every Monday. A director’s blog with viewer comments accompanies each entry. Later we will release a film in cinemas and this Internet site and the film, together, will tell a new kind of story currently unavailable to the public.
Lech Kowalski
Producer Capricci Films: Thierry Lounas
Producer Extinkt Films : Odile Allard
In Charge of Production : Mathilde Trichet
Subtitles : Odile Allard and Mathilde Trichet
Remerciements: Kevin Bartelme, Alessandro Signetto, Luciano Barisone, Cyril Neyrat, Pascale Cassagnau
The 21st century started with a sigh of relief when a predicted computer glitch that had threatened to wreak havoc around the world failed to materialize. The media trumpeted Francis Fukuyama’s thesis that history was at an end and we were about to enter into a steady safe environment that would leave the conflicts of the previous century behind. History however, was not about to be put to sleep so easily. The events of 9/11 and its aftermath have brought the past roaring back with a vengeance.
The vastly complex issues we now face are “out of proportion” to what can be addressed in a single, traditional movie. Reality itself has to be re-arranged to make sense of our world. Theatrical distribution of such an undertaking would be impossible and the television networks are bought and paid for by the very corporations that are complicit in the crisis – thus, CAMERAWAR.TV.
New "film chapters" are posted on this site every Monday. A director’s blog with viewer comments accompanies each entry. Later we will release a film in cinemas and this Internet site and the film, together, will tell a new kind of story currently unavailable to the public.
Lech Kowalski
Producer Capricci Films: Thierry Lounas
Producer Extinkt Films : Odile Allard
In Charge of Production : Mathilde Trichet
Subtitles : Odile Allard and Mathilde Trichet
Remerciements: Kevin Bartelme, Alessandro Signetto, Luciano Barisone, Cyril Neyrat, Pascale Cassagnau
Don't hesitate to react. Send comments, pictures, videos, audios...
write us at camerawar@gmail.com
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